羅婉儀在香港、意大利、英國修讀設計及藝術，在澳門及香港從事教學、藝術創作及寫作工作。現於澳門大學教育學院任教視覺藝術。鉛筆繪畫是羅婉儀的主要創作。多年來，她以鉛筆、紙本、布本等簡單工具來創作。她的創作以視覺人類學為核心，題材關係著文字圖像和陳舊文物；她的書寫包括藝術與文化、女性主義和口述歷史等議題。透過繪畫文字符號，她嘗試審視語言文化的限制；繪畫舊物，她重視物與人的關係。藉著密集的鉛筆繪畫，她突顯作品在時間／空間的厚度；隨後，她把作品發展延伸為不同型式的媒體，尋求作品的多樣性、流動性、和不斷變化的特徵。某程度，鉛筆繪畫在傳統西方藝術中位處「邊緣」，她蓄意以鉛筆畫為創作核心，探索它在當代藝術的角色，和可能發展出來的視覺語言。最後，她冀望鉛筆繪畫得以正名：它是獨立且進步的媒介。

個人畫展
《痕跡》（香港教育學院文化與創意藝術學系展覽廳2014；香港賽馬會創意藝術中心2014 ）
《房間――一些有關繪畫痕跡的裝置與延伸》（澳門牛房倉庫2011；台北竹圍工作室2011 ）
《一個神話的追跡》（香港巡迴個展：香港浸會大學；香港嶺南大學及圖書館；香港視覺藝術中心； 2003-2004 ）

​個人著作
《穿越世紀的 情書 ―― 寫給巴黎藝術家的 21 封信》（台北：南方家 園 2013 ）
《文字．繪畫》（香港： kubrick 2012 ）
《房間》（澳門：牛房倉庫 2011 ）
《一冊女書筆記――探尋中國湖南省江永縣上江墟鄉女書》（香港：新婦女協進會2003 ）
《一個神話的追跡》（香港：藝術發展局2003 ）

Yuen-yi Lo is an artist, writer, lecturer based in Hong Kong and Macau. Trained in the fields of Communication Design and Fine Arts in Hong Kong, Italy and Britain, Currently she is teaching Visual Arts at the Faculty of Education, University of Macau. Drawing is the central practice in Lo’s creative work. She has been working with simple tools such as graphite on paper and fabrics. Her artworks concern visual ethnography, taking on script graphs and old objects; while her writings explore such themes as art and culture, feminism and oral history etc. By drawing script graphs, she attempts to look into the limitations of language culture; and through appropriating with ordinary objects, she hopes to retain traces of objects in relations to human beings. While her drawing suggests the intensity of filling the time/space, she extends the work into other bodies and dimensions, seeking multiplicities and diversities, and searching for the fluidity, ever-changing characteristics. To a certain extent, drawing is considered “peripheral” in traditional Western arts. She deliberately takes it as her practice to explore its role, to look for the possibilities of visual language in contemporary art. Last but not least, she aims to make justice that drawing is an independent and progressive medium in its own right.

Solo exhibitions
· Traces (Part II). Central Courtyard, Jockey Club Creative Arts Centre (JCCAC), 2014.
· Traces (Part I). CCA Art Gallery, Hong Kong Institute of Education, 2014.
· A Drawing Project & Beyond. yuenyilo.net/room/ Online Exhibition, 2014.
· A Room (Part II). Ox Warehouse, Macau, 2011. A Room (Part I). Bamboo Curtain Studio, Taipei, Taiwan, 2011.
· She’s a Fragment and a Whole. The Centre for Drawing, London, 2005.
· The Legend, Sealed and Unsealed, Hong Kong, 2003-2004
· (Part I) Lam Woo International Conference Centre, Baptist University.
· (Part II) Department of Cultural Studies, Lingnan University.
· (Part III) Fong Sum Wood Library, Lingnan University.
· (Part IV) Visual Arts Centre.
· A Piece of Women’s Script. The Photography Gallery, Arts Centre, Hong Kong, 2000.

Publications
· Love Messages Across the Centuries: 21 Letters to Parisian Artists. Taipei: Homeward Publishing, 2013.
· Drawing the Writing. Hong Kong: Kubrick Publishing, 2012.
· A Room. Macau: Ox Warehouse, 2011.
· A Journal of Nushu, Women’s Script. Hong Kong: Association for the Advancement of Feminism, 2003.
· A Legend Sealed and Unsealed. Hong Kong: Arts Development Council, 2003.